There’s a reason I chose the username Monochromejunkie: It’s because I’m obsessed with black and white photography. To me, nothing is more beautiful than a bold black and white image with heavy, dark blacks and stark whites. These days, people are so used to simply slapping a filter on something or doing a quick and easy B&W conversion.
it takes a well-trained eye to look out upon a landscape or street scene and be able to convert that over to a B&W in your mind and truly “see” a black and white. Because reds, greens, and blues all convert into various shades of black, white, and grey, you need to know what would truly make a good black and white, because not every scene does.
This past year, I’ve been in a photographic funk and sorely uninspired. 2018 was one of the hardest years of my life. So many troubles with some of my children and their private struggles, along with the death of close friends and loved ones. It really kicked me in the teeth and that alone can kill your passion for your art.
After coming back to my blog and writing again, I rediscovered my friend Gav’s black and white photography. He’s an excellent street photographer, but what he’s really good at, more so than anyone else I’ve ever known, is staying in black and white mode. Nevertheless, year after year, he continues shooting in black and white and never seems to grow bored with it.
Seeing his beautiful black and whites have woken up my first love: black and white photography. I’ve wanted to shoot in B&W mode (only) for a year straight- for a long time, but never had the courage to take that plunge. I know though, that if I don’t do that, then I’ll never commit. And if I don’t commit to truly knowing the ins and outs of black and white and really learning it, then I never will grow as a photographer and artist to the degree that I want to.
I’ve decided to finally take the plunge! I’m putting my camera in monochrome mode and leaving it there for an entire year. It actually began yesterday, so until March 8th of 2020, I’ll be shooting in nothing but black and white. This way, rather than focusing on various colours, I can keep my focus on lighting and exposure. So Gav, if you’re reading this, thank you! You’ve been a major inspiration and have woken up my love of black and white again. It’s not for everybody. But for people like us, it’s what drives us.
I took these yesterday, at Sellersburg park (Indiana) while taking Chance and Diamond on our mile walk. Just as we were getting ready to leave, it started snowing. That was a nice touch. 🙂 (These are basically SOOTC/straight out of the camera.)
A new bud gets its first taste of the snow. Carl Zeiss Jena Flektogon 35-2.8
Tickles the cat.
Canon G3/manual/RAW/natural lighting
Heidi is here with us now; she’s hacking and coughing but still going to the Smokies with us; she’s a trooper. We leave in the morning. I’ve just finished an assignment (at 1:30 a.m.) and just want to shower and collapse. Unfortunately, I’ll have to take my laptop with me and complete several assignments overlooking the mountains on the cabin deck. Lovely.
I’ve purchased our Ripley’s Believe It or Not oddities museum and Aquarium tickets and have printed them out; they’re tucked away snugly in my purse. Josh says we’re both “overpreparers”. I can’t disgree- we spend more time preparing for a trip than we do actually on a trip. Brianna won’t be able to come along because she has to work.
It’s way past my bedtime.
Next time I write, I’ll be in the mountains. I hope the sunrise out on the deck with be misty and majestic. I’m craving coffee just thinking about it. Man I’m getting old…
A man told me today that my goat belongs in a magazine.
I’ll take that as a compliment. :0)
Trying to focus manually while your target is moving constantly isn’t an easy task. But I love the way manual shooting paints dreamy bohek (heavy blurring) into the frame, such as the fence seen in the foreground. All-manual focussing and exposure (shutter speed/aperture/ISO/WB, etc.) has a certain quality and look to it that’s not easily replicated. I mean, it can be, but then it has the shopped look to it. (Photoshopped.) I’m hopelessly in love still with monochromatic images and especially with shooting IN monochrome.
Colour’s alright too. But nothing makes me as happy as shooting in black and white- all manual- using only natural lighting. My itch has been scratched.
Back to schoolwork…
Squire Boone Caverns
I wandered around the streets of my hometown on New Year’s Eve in search of “subjects”. I wanted to shoot people but the place was like a ghost town! I’m so drawn to shadows and still life, I’m wondering how I will ever break out of this pattern if I want to venture into street photography. I don’t want to be a simple point-snd-shooter. Composition means everything to me, as do strong lines. I drove to Times Square once, in New York City, and shot street photography at night. My bags had been packed and waiting by the door to go to Texas (from Indiana). my Aunt had been sick and my daughter and I were on our way to see them. They cancelled at the last minute, and so we found ourselves with packed bags, $1,000 and no where to go. I told my daughter to pick a place, anywhere in the U.S. and that’s where we would go. She said, “What about New York?” And so, the next day, we found ourselves driving straight into the belly of the beast: Times Square. Here are some of my photos from that trip: (All photos are shot in manual + natural lighting/no flash.)
Times Square at night, New York, New york
Canon Rebel XSI Sigma 17-70
Modern Day Vintage w/ film grain- Canon Rebel XSI + Sigma 17-70
A mass of people simming in the city sea. W. 45th St.
Near Park Avenue, Manhattan, New York
Canon Rebel XSI Sigma 17-70
I had crawled up to this pigeon in the rain.
The guy was eating. I was watching him. The pigeon was watching me.
Then I was watching the pigeon.
Then the guy was watching me. Then he jumped out of the frame.
I smiled politely. Then I snapped away.
Hurley’s. Manhattan, New York and a little bit of GIMP.
Canon Rebel XSI/Sigma 17-70
Muesum of modern Art
New York, New York
A small crowd gathers to study Monet’s Water Lilies.
Canon Rebel XSI- Sigma 17-70
Overlooking Broadway from the Crowne Plaza Times Square hotel. Nice place! Even if the eggs are $9.00.
Coffee for breakfast.
Hanging out on Broadway at Times Square. Everything sizzled with energy. The smell of hotdogs permeated everything and there really was steam coming out of the sewers. Just like in the movies. Horns honked. taxis were a streak of canary yellow and the rain drizzled lightly. It was another world. Swarms of people hustled about- headphones attached, eyes making no contact- disappearing into the night.
The beauty of motion blur/long exposure. One of my many passions in photography.
Broadway in classic “Old Hollywood” black and white.
I was almost laying in the street for this one. I like wide angle shots, and prefer verticals over horizontals. I’ve been shooting verticals for years- and my eye is trained for this type of composition. I feel so vulnerable regarding horizontal composition, in comparison. I’m hoping to practice up in that area over the next year.
As seen from my hotel window at night, overlooking Broadway. I was sitting on the executive office desk Indian style, lens pressed to the glass- full panoramic view. I could see the people in the buildings across from me working out at their office gyms, after hours. I wonder if they could see me.
I was fascinated that behind all of the glitz and glamour of Broadway, this is what it boils down to. The viewers arrived (on Broadway) around the corner in limousines, draped in diamonds, but the stars came in through this humble stage door, accompanied by the grimiest dumpster I had ever seen.
Museum of Modern Art
New York, New York
When I walked into the room, it was as if this guy had been waiting for me.
I immediately sunk to my knees and hunkered down to the floor as low as I could go, loweing the exposure so I could get a good silhouette.
I thought it called for a vintage texture (it’s actually about 7 textures combined) and lots and lots of GIMP. I titled the print “Therapy” and sold a matted canvas to a mystery buyer at Redbubble.com for $175.00.
That put a smile on my face.
Museum of Modern Art. I was in the hallway and saw this guy walking up the stairs. It called for a diagonal composition. (Makes me think of Escher, one of my favourite artsits, second to Van Gogh only.)
New York just wouldn’t be the same without its generous splash of fire escapes throughout the city.
But I digress.
Here are a few shots from my walk-around on New Years Eve. The shadows told me it was the right time to go out and shoot.
Film noir/B&W-shadows- it’s where I live.
The streets were completely abandoned on New Year’s Eve. I loved it.
My mother and I rung in the New Year alone in her apartment. She was tucked into her comfy chair and I read to her for an hour out of my book: Anthology of American Poets. (Poe, Dickenson, Longfellow, Frost, and about twelve others.) It was so old fashioned and simple. I took this shot of her two cats in the early afternoon on New Year’s Day. Both cats are black and white. So, this is a black and white shot in black and white of two black and white cats:
My mother’s lamp.
There’s almost nothing more beautiful to me than film grain with a dash of gaussian blur.
In black and white, of course. Heavy on the black.
Canon G3/natural lighting/manual exposure