So after an insanely strong cup of espresso and 12 pages of morning note-taking on mentalism, dualism, and materialism (and many more behavioral isms), a most necessary distraction has arrived: my Lensbaby Composer! It’s only the most awesome lens in the world because it bends the sides of the frame outward- stretching it in a really trippy way. It makes for really wild images, but done subtlely, it can be aesthetically pleasing yet mild.
I’m off to go give it a spin.
A man told me today that my goat belongs in a magazine.
I’ll take that as a compliment. :0)
Trying to focus manually while your target is moving constantly isn’t an easy task. But I love the way manual shooting paints dreamy bohek (heavy blurring) into the frame, such as the fence seen in the foreground. All-manual focussing and exposure (shutter speed/aperture/ISO/WB, etc.) has a certain quality and look to it that’s not easily replicated. I mean, it can be, but then it has the shopped look to it. (Photoshopped.) I’m hopelessly in love still with monochromatic images and especially with shooting IN monochrome.
Colour’s alright too. But nothing makes me as happy as shooting in black and white- all manual- using only natural lighting. My itch has been scratched.
Back to schoolwork…
Squire Boone Caverns