I’m thinking about setting my camera to monochrome and not shooting in colour (or allowing myself to) for one whole year. I know it sounds crazy but that’s the kind of thing I like to do. When I look out into the world, I see in black and white. I see lighting mostly- shadows and ranges of exposure- tonal ranges. I can stare off in a room full of people and be in my own little world (I’m sure it looks like I’m deep in thought) but really, I’m converting a branch, a table, a moving mouth into monochrome and watching the shadows and lighting change places in my mind.
This is what my creative eye is doing no matter where I go or who I’m with and I rarely deviate. When I went to Southern Illinois with Josh, he wanted to fish, so he fished; but I wanted nothing more than to run up into the hills with my camera. Blossoms were opening up everywhere and colour was shooting to life all around me but the most beautiful thing I saw was a stark branch, unadorned and unassuming.
I painted it black and white in my mind and it was so very beautiful. I gave it a pretty pink coat in Photoshop, but I shot it in monochrome in natural lighting- all manual, naturally.
I call it simply:
Specs: 50 MM 1.8 II/manual focus/manual exposure/natural lighting
Shot in monochrome/Canon Rebel T3i/Sh. sp.: 1/800th sec
F/ 1.8/ISO 100
I was inspired by the cranberry hue after seeing my friend, Ingz, from Redbubble (THE most amazing fine art site in the world- don’t waste your time at Fine Art America/FAA) do the same in one of her pieces. She’s an amazing artist- so clean and elegant. I’m expecting some new equiptment soon- particularly another Lensbaby and this time, it’s coming with the pinhole/zone plate. I could just cry. :0) (Thanks again for all of your prayers in that department, Soul Walker. XO)
Maybe I’ll accept my own monochrome challenge.
I decided to convert my collage (Pain in Rainbows) over into a digitally rendered fauvist styled painting on stone. I rather liked the way it came out. While I wasn’t planning on sharing my arachnoid cyst situation with all of Australia, I wanted to include my Aussie friends (all of whom are artists: sculptors, writers, and painters) as we’ve all been close for about six years now.
I feel pretty fortunate to have such a great group of friends. Many have solo exhibitions and are quite successful in the art world. And, a finer bunch of people I’ve never known.
The site I’m referring to is Redbubble. I’ve been there six years. Hmm…maybe seven.
I really don’t like pop art. Never cared for the Marylin coloured collage or the tomato soup cans (though I admit that I was thoroughly infatuated with the life of Warhol and have much respect for his talent). I decided to mingle the style of pop art with my love of B&W to examine and interpret my migraine pain. I suppose it could convey most any pain. After all, we all live with pain- whether emotional or physical- but none escape it. Like art, music, laughter, joy, and death- pain is a language that needs no interpreter.
I have recently found my Canon G3 battery charger. The camera is absolutely obslete on todays market, but I know that camera better than my own skin. I cut my teeth on that camera (manual exposure, shooting in monochrome, manipulating the lighting and shadows, and so on).
I think the problems many artists and photographers face today are due to the fact that the modern digital cameras are so “capable” that the user need only click one main button, “auto”, and the camera “does it all”. While it can mimic the accuracy to a degree, it cannot automatically shape and mold the light on a level that one can attain if he or she manually adjusts the settings. It’s like comparing a bologna sandwhich to foie gras. Or, Vienna Sausages to caviar. If a person doesn’t know how to shoot in manual, he or she may still be able to create an effective image, especially in Lightroom, GIMP (which is what I use), or Photoshop, but then it falls into digital artistry and not so much “photography”.
If you are curious to know what kind of a photographer you are, throw your DSLR (or P&S) in MANUAL, as well as MONOCHROME, and go out during the golden hour as well as high noon- then look at the stills. When you can take a batch of photos that aren’t blown out, hot- and bleeding here or there- you’re ready to move on to a more advanced camera.
There’s really no point in getting a fancy camera if you don’t know how to shoot in all manual! I can’t say this enough. And the truth is, about 80% of all of us photogs that have high end cameras are LAZY. (Notice I said “us”.) Very few actually shoot in manual mode, much less understand how to.
If I had a big rig, I’d be the laziest photog in the world.
Thank God for innovation and ghetto-rigging.