I’m thinking about setting my camera to monochrome and not shooting in colour (or allowing myself to) for one whole year. I know it sounds crazy but that’s the kind of thing I like to do. When I look out into the world, I see in black and white. I see lighting mostly- shadows and ranges of exposure- tonal ranges. I can stare off in a room full of people and be in my own little world (I’m sure it looks like I’m deep in thought) but really, I’m converting a branch, a table, a moving mouth into monochrome and watching the shadows and lighting change places in my mind.
This is what my creative eye is doing no matter where I go or who I’m with and I rarely deviate. When I went to Southern Illinois with Josh, he wanted to fish, so he fished; but I wanted nothing more than to run up into the hills with my camera. Blossoms were opening up everywhere and colour was shooting to life all around me but the most beautiful thing I saw was a stark branch, unadorned and unassuming.
I painted it black and white in my mind and it was so very beautiful. I gave it a pretty pink coat in Photoshop, but I shot it in monochrome in natural lighting- all manual, naturally.
I call it simply:
Specs: 50 MM 1.8 II/manual focus/manual exposure/natural lighting
Shot in monochrome/Canon Rebel T3i/Sh. sp.: 1/800th sec
F/ 1.8/ISO 100
I was inspired by the cranberry hue after seeing my friend, Ingz, from Redbubble (THE most amazing fine art site in the world- don’t waste your time at Fine Art America/FAA) do the same in one of her pieces. She’s an amazing artist- so clean and elegant. I’m expecting some new equiptment soon- particularly another Lensbaby and this time, it’s coming with the pinhole/zone plate. I could just cry. :0) (Thanks again for all of your prayers in that department, Soul Walker. XO)
Maybe I’ll accept my own monochrome challenge.