There’s a reason I chose the username Monochromejunkie: It’s because I’m obsessed with black and white photography. To me, nothing is more beautiful than a bold black and white image with heavy, dark blacks and stark whites. These days, people are so used to simply slapping a filter on something or doing a quick and easy B&W conversion.
it takes a well-trained eye to look out upon a landscape or street scene and be able to convert that over to a B&W in your mind and truly “see” a black and white. Because reds, greens, and blues all convert into various shades of black, white, and grey, you need to know what would truly make a good black and white, because not every scene does.
This past year, I’ve been in a photographic funk and sorely uninspired. 2018 was one of the hardest years of my life. So many troubles with some of my children and their private struggles, along with the death of close friends and loved ones. It really kicked me in the teeth and that alone can kill your passion for your art.
After coming back to my blog and writing again, I rediscovered my friend Gav’s black and white photography. He’s an excellent street photographer, but what he’s really good at, more so than anyone else I’ve ever known, is staying in black and white mode. Nevertheless, year after year, he continues shooting in black and white and never seems to grow bored with it.
Seeing his beautiful black and whites have woken up my first love: black and white photography. I’ve wanted to shoot in B&W mode (only) for a year straight- for a long time, but never had the courage to take that plunge. I know though, that if I don’t do that, then I’ll never commit. And if I don’t commit to truly knowing the ins and outs of black and white and really learning it, then I never will grow as a photographer and artist to the degree that I want to.
I’ve decided to finally take the plunge! I’m putting my camera in monochrome mode and leaving it there for an entire year. It actually began yesterday, so until March 8th of 2020, I’ll be shooting in nothing but black and white. This way, rather than focusing on various colours, I can keep my focus on lighting and exposure. So Gav, if you’re reading this, thank you! You’ve been a major inspiration and have woken up my love of black and white again. It’s not for everybody. But for people like us, it’s what drives us.
I took these yesterday, at Sellersburg park (Indiana) while taking Chance and Diamond on our mile walk. Just as we were getting ready to leave, it started snowing. That was a nice touch. 🙂 (These are basically SOOTC/straight out of the camera.)
A new bud gets its first taste of the snow. Carl Zeiss Jena Flektogon 35-2.8
The Fine Art of Outrunning the Law
This is the sunset that almost got me arrested yesterday:
Modified Lensbaby Composer + Canon Rebel XSI + golden hour lighting
Josh and I were out driving through the beautiful country of Starlight, Indiana. We’d had a glass of Apple Spice wine from the orchard and were enjoying the sunshine. I glanced over through the trees and saw the sun beaming through and knew I had to get that shot (shown above). I didn’t alter any colours in it: it’s SOOTC (Straight Out Of the Camera). What you see is how it looked in person. It was incredibly beautiful.
So I parked the car a quarter of a mile down on the side of the road, and as I tiptoed through the field (barefooted, naturally), I happened to notice there was a man standing on the road directly to my left. He didn’t speak, he just watched me. If I could count the times strange people just showed up to watch me shoot. Grrr.
I took my cue to go, and as I was going, he said, “I just wanted to make sure everything was alright.”
That translates to, “I live right down the road and I’ll be damned if I’m going to let you take a picture of this here field.”
I showed him the shot and let him know I was harmlessly taking a pic, and skidaddled off to our Rodeo Isuzu. Not even 45 seconds later, we passed a cop car going in the direction of where we had just come. Jimbob had called the law.
Not that we were doing anything wrong. But out in redneck country, you’re either going to get shot at, or have to outrun the police like we did. And so began our hurried exit, snaking through every jijagged turn we could make, and flying back to the city. Believe me when I say, photography is not a boring hobby! “Dealing” with the cops is part of the package.
Alas, it was worth it. 🙂
And a few more from the day:
Modified Lensbaby Composer + Canon Rebel XSI
And last, but not least, my partners in crime!
Lensbaby Composer (Plastic Optic)
I may or may not go out today and experiment with my new Lensbaby lens: the plastic optic from the Swap Kit. It’s so darn hot.
I took this SOOTC/straight out of the camera pic using the plastic optic:
I like the soft focus haze it puts over everything: in the right setting, this would be perfect. Of course, it wouldn’t work for everything. A street scene or a detail-oriented shot such as facial features wouldn’t be ideal for this lens, but a forest shot, any flower shot, or landscape (barn, abandoned house, etc.) it would be great.
I’m still stuck on the Double Glass optic- I love the focal control it gives you while allowing the warped blur in the rest of the frame.
I’m looking at another solid day of schoolwork. All of these toys and no time to play!