Today has been an unusually stressful day. I’ve been working on my new art site, which I won’t reveal until it’s completely finished. It’s definitely in its embryonic stages. I have so much school work to catch up on and we’re financially strapped, as usual. Some of my photography art acquaintances have Donate to PayPal tabs up on their sites and many are actually receiving donations. I can’t bring myself to do that. I will work hard to sell my art work instead; that means pounding the virtual pavement and hobnobbing with the elite in the art world. Nothing to complain about, I assure you. But work is work, and I’m so limited on time these days. To put it simply, school is eating me up alive. Research, essays, and reports: my head feels like it’s in a pressure cooker, or an olive that is being slowly squeezed of its precious substances. The arachnoid cyst on my brain stem is acting up again and the pain is relentless and intense, but it doesn’t slow me down- it should.
It’s snowing outside- March snow. I should be taking a Psychology exam but I’m going to pop an Ambien and call it a night. It’s 1:00 a.m.
I just needed to write something.
I should cry.
There is a heck of a lot of chaos going on behind the scenes in my family right now, and I don’t mean my immediate family (altogether), but outside of my four walls. I live an interesting life for sure. Because of my walk that I’ve walked, there are those few family members that will always want to dig up bones in my graveyard.
I say go dig your own graveyard and leave my bones alone. I’ve made peace with much of what’s happened to me in my life. Some things, caused by my own stupidity- others, caused by those who cannot let go of their pasts. Sadly, I know many people who live in their pasts. It’s true that I rarely visit mine. I have memories, sure. Good ones, and lots of them. But I don’t hang on to the things that hurt me, and I certainly don’t invite others to a bitter banquet so they can feast on my rags. I’ve given all my rags away, to people who are much worse off than me.
I really do not understand how people can think they’ve got it so bad. And if you think I haven’t lived through some wicked stuff, you can read my Bio. We all go through trauma, disease, famine, humiliation, and other facts of life, but to grovel in a pool of your own vomit, and to stay in it by choice, so that others can pity you?
Moving on. I’ve sadly had to block several of my family members (again) because they simply cannot stop hating. Hate! Hate! Hate! It blows my mind.
I blocked them because I believe you have to put the negativity out of your life. That doesn’t mean it doesn’t exist. But you don’t have to sit down and have tea with it either. I take my cue from Jesus, yet again. He was asked to come to the house of distraught parents. Their daughter had died. When He came to them, He told them that she was only sleeping. (I love that part.) They laughed him to scorn, the Bible says. Can you imagine? People wailing and grieving and seriously hurting, and then there are those who take pleasure to mock and laugh at such a time.
What did he do? He didn’t tolerate it one bit. That’s what. He tossed them out of the house, and he “shut the door”. I know when to shut my door. It may seem that I’m angry, but don’t mistake my strong stand in life for anger- I am grounded, completely, and pretty unshakable in my faith.
I have to regroup quickly when people are gnashing on me so viciously. I’m only human. Just because I’m a Christian doesn’t mean I don’t have anger and all of those other things. If you punch me in my face, I may punch you back and just say I’ll repent later. I’m still working on that “turning the other cheek” thing.
But on that note, I do know when to walk away from people who claim this or that, but cannot stop devouring you. I do know how to shut my door- Jesus taught me that one.
When I feel these things in my life, I choose to do things that are constructive. It does no good to sit around and stew in it, and really, you have to act quickly, because rage is like a cancer. It will eat away at every cell of your soul, and it feels so good to pay them back, but you’re only hurting yourself in the end. Every arrow that flies out returns to you. Make sure you send good arrows.
I choose photography. When I go out into a scene, I compose my surroundings. Photography forces me to change the way I see the world. I have to choose a focal point. (That takes your mind off of the wrong focal point.) No matter what you’re feeling, you can go out and capture a view of the world that is altogether different than the way you feel.
Bitter people chewing on my back has been my catalyst for change many times, to do good for others. It gets me out of that dark place, and pushes me toward my art- singing, writing songs, playing my guitar/keyboard and, photography- all of which allow me to see and feel beauty. I can choose to be happy, no matter what.
And so I am. 🙂
I’m not one to toss around rose petals (like Joel Osteen, no offense to him, love him truly, but he’s happy like…….10000% of the time. Sorry Joe, my car breaks down routinely and we’re scrimping for toilet paper half the time- it’s REAL up in this household if ya know what I mean…).
And so, I take pictures. Not in spite of, but because of all of the family chaos lately, I went out and shot this sunset. I’ve never been a landscape photographer and I’ve never been fond of “sunset shots”. It’s not that they’re not beautiful, I’ve never had the necessary growth as an artist to appreciate them, that’s all. I do now.
Who knew that the cruelty of my enemies would be the very thing to help me see beauty?
Thank you enemies.
And that is how I turn things around.
I wandered around the streets of my hometown on New Year’s Eve in search of “subjects”. I wanted to shoot people but the place was like a ghost town! I’m so drawn to shadows and still life, I’m wondering how I will ever break out of this pattern if I want to venture into street photography. I don’t want to be a simple point-snd-shooter. Composition means everything to me, as do strong lines. I drove to Times Square once, in New York City, and shot street photography at night. My bags had been packed and waiting by the door to go to Texas (from Indiana). my Aunt had been sick and my daughter and I were on our way to see them. They cancelled at the last minute, and so we found ourselves with packed bags, $1,000 and no where to go. I told my daughter to pick a place, anywhere in the U.S. and that’s where we would go. She said, “What about New York?” And so, the next day, we found ourselves driving straight into the belly of the beast: Times Square. Here are some of my photos from that trip: (All photos are shot in manual + natural lighting/no flash.)
Times Square at night, New York, New york
Canon Rebel XSI Sigma 17-70
Modern Day Vintage w/ film grain- Canon Rebel XSI + Sigma 17-70
A mass of people simming in the city sea. W. 45th St.
Near Park Avenue, Manhattan, New York
Canon Rebel XSI Sigma 17-70
I had crawled up to this pigeon in the rain.
The guy was eating. I was watching him. The pigeon was watching me.
Then I was watching the pigeon.
Then the guy was watching me. Then he jumped out of the frame.
I smiled politely. Then I snapped away.
Hurley’s. Manhattan, New York and a little bit of GIMP.
Canon Rebel XSI/Sigma 17-70
Muesum of modern Art
New York, New York
A small crowd gathers to study Monet’s Water Lilies.
Canon Rebel XSI- Sigma 17-70
Overlooking Broadway from the Crowne Plaza Times Square hotel. Nice place! Even if the eggs are $9.00.
Coffee for breakfast.
Hanging out on Broadway at Times Square. Everything sizzled with energy. The smell of hotdogs permeated everything and there really was steam coming out of the sewers. Just like in the movies. Horns honked. taxis were a streak of canary yellow and the rain drizzled lightly. It was another world. Swarms of people hustled about- headphones attached, eyes making no contact- disappearing into the night.
The beauty of motion blur/long exposure. One of my many passions in photography.
Broadway in classic “Old Hollywood” black and white.
I was almost laying in the street for this one. I like wide angle shots, and prefer verticals over horizontals. I’ve been shooting verticals for years- and my eye is trained for this type of composition. I feel so vulnerable regarding horizontal composition, in comparison. I’m hoping to practice up in that area over the next year.
As seen from my hotel window at night, overlooking Broadway. I was sitting on the executive office desk Indian style, lens pressed to the glass- full panoramic view. I could see the people in the buildings across from me working out at their office gyms, after hours. I wonder if they could see me.
I was fascinated that behind all of the glitz and glamour of Broadway, this is what it boils down to. The viewers arrived (on Broadway) around the corner in limousines, draped in diamonds, but the stars came in through this humble stage door, accompanied by the grimiest dumpster I had ever seen.
Museum of Modern Art
New York, New York
When I walked into the room, it was as if this guy had been waiting for me.
I immediately sunk to my knees and hunkered down to the floor as low as I could go, loweing the exposure so I could get a good silhouette.
I thought it called for a vintage texture (it’s actually about 7 textures combined) and lots and lots of GIMP. I titled the print “Therapy” and sold a matted canvas to a mystery buyer at Redbubble.com for $175.00.
That put a smile on my face.
Museum of Modern Art. I was in the hallway and saw this guy walking up the stairs. It called for a diagonal composition. (Makes me think of Escher, one of my favourite artsits, second to Van Gogh only.)
New York just wouldn’t be the same without its generous splash of fire escapes throughout the city.
But I digress.
Here are a few shots from my walk-around on New Years Eve. The shadows told me it was the right time to go out and shoot.
Film noir/B&W-shadows- it’s where I live.
The streets were completely abandoned on New Year’s Eve. I loved it.
My mother and I rung in the New Year alone in her apartment. She was tucked into her comfy chair and I read to her for an hour out of my book: Anthology of American Poets. (Poe, Dickenson, Longfellow, Frost, and about twelve others.) It was so old fashioned and simple. I took this shot of her two cats in the early afternoon on New Year’s Day. Both cats are black and white. So, this is a black and white shot in black and white of two black and white cats:
My mother’s lamp.
There’s almost nothing more beautiful to me than film grain with a dash of gaussian blur.
In black and white, of course. Heavy on the black.
Canon G3/natural lighting/manual exposure