Photo Therapy
So my assignments are stacking up already.
College Algebra
Fill out proctor forms/fax back to instructors
Read 28 pages in Nutrition/take first quiz
Finish up reading in Alcohol and Other Drug Problems- type out 2 page report as a treatment center assistant, specializing in prevention
Prepare for my first speech
They’re not due until next Monday, so…there’s time.
I’m tempted to go play hookie. Down at the river. With my camera. Maybe- maybe I could do research of some kind. For school. Or something.
With my camera.
Josh is frustrated. He’s on his laptop rambling on about his inconsiderate teacher.
I really didn’t hear a word he said.
“Is that your Spanish class?” I asked.
“Yeah,” he said, seemingly appeased.
I passed.
Heidi/Lensbaby Composer Pro/Double Glass Ops./RAW/Manual [Rebel xti]
I’m Not Above It
Oh…my goodness. Where to start.
I posted an ad on Craig’s List to pick up some extra cash. I am not above scrubbing toilets.
Josh and I got to Kate’s house a few minutes early. [Name has been changed for confidentiality purposes.] We peeked through the windows.
Kate had already told me on the phone, that she was a heart patient.
What she failed to disclose, is that she is also a semi-hoarder.
And…her house hasn’t had a good cleaning in years.
We knocked on the door a few minutes early- no answer.
I caught the look in Josh’s eye and it was obvious that he was thinking the same thing.
We made our way quickly back to the car.
“Look. Let’s just call her. Tell her that it’s going to take longer than we thought. We can come back again,” Josh said.
“If we leave now, we’ll never be back,” I said. “It’s just how things go.”
So we started rationalizing.
“What if it was our Aunt Ida or something? Or a family member…”
“Why did we come here? To leave?”
“What is so important that we have to do besides help this woman?”
And so on.
And so between us both, we decided that we had no choice but to return to Nan’s house, and do the best we could for her.
I knew she was a fiercely intelligent woman; I could tell within seconds of meeting her. Her eyes beemed with an intense light. Her skin was amazing!
Nan was probably going on 60 or so, and I liked her right away. A very earthy, down-to-earth woman. My kind of person. No BS, no fronts. Just herself.
“Kate, you look like a psychologist,” I said to her.
“I am,” said Kate.
And so we stayed for five and a half hours and cleaned our butts off. We put in a few extra laps for her, and it was our pleasure.
I’m used to making $20 per hour by myself when I clean, given my 25+ years experience and proficiency in the area, but Josh and I are both doing the school thing, and we’d rather clean houses privately, and on our own time, than to work a public job and so on. Also, we get to meet many interesting people this way.
Kate cut us a check for $125. We kissed her dog Daisy goodbye, and locked up behind us.
I can barely believe we did what we did there in only five and a half hours. Unbelievable.
Grocery shopping. (Beer, watermelon, rasberries, vanilla ice cream, sodas, smoked mussels, etc.)
Dishes. Bubblebath. Cleaning my own house. A bit of reading in my schoolbook, “Alcoholism and Other Drug Problems”. And finally…
…to bed.
Recent Work
Public of your Past/Canon G3/self portrait
G3/self
G3/self
Lensbaby Composer Pro/Double Glass Ops.
Falls of the Ohio/Water
The Hiding Place/My daughter, Brianna-reworked(added film filter + mastered levels and hues)
Lensbaby Composer Pro/Double Glass
Thirty one Hours/ My daughter, Heidi,Reworked
Lensbaby Composer Pro/ Double Glass/Canon Rebel Xti
Times Square/New York, New York
Multiple Exposure/Sigma 17-70
Warhol/ Warhol exhibition (Campbell’s soup cans)
Museum of Modern Art- New York, New York
Multiple Exposure
Warsaw/ Abandoned Government Facility
Lensbaby Composer Pro/Double Glass Ops.
My daughter, Heidi/Lensbaby Composer Pro/Double Glass
He’s Leaving Again/Lensbaby Composer Pro/Double Glass
Interrogation/ My kitchen chair in natural window lighting (my favourite lighting)
Lensbaby Composer Pro/Double Glass
Self Portrait/Long exposure experiment/Canon G3/manual (8 secs.)
Shadows and Leaves/Harvest Homecoming/Canon G3/Manual
Last Day of Freedom
I can’t believe school starts tomorrow. My summer vacation is officially over.
Heidi emailed me and asked if she might come to live with us until February. I’m ecstatic! We’ll be moving into a new house before September 10th. The $5,280 in school grants and loans will be a big help. Josh will be going full-time this semester as well. He’ll be receiving less than $4,000, but between the both of us, we’ll pay for five months of rent up front, which will take some of the pressure off. Because Heidi will be with us, we’ll probably go with a four bedroom house. When she’s back in Bloomington (here and there), we’ll use the room as an office.
I’m a bit weirded out by my Speech class. I’ve put that class off for two years. (Sigh.) I’ll also be going into my fourth semester of college math. I was going to break up my classes and only go part-time, but decided to bite the bullet and face all of my fears at once and simply get it over with. I’m saddened that I will have to put my photography on the back burner once again, but excited by the fact that I’ll be simultaneously working on my online gallery.
I was also just juried in to Sojie 18:
Birgitta, hi, your image below was nominated for SoJie 18 –
Solo’s Juried Invitational Exhibition on “Abstracts”
It’s time to post!
- deadline is this Friday, August 24, 2012, 8AM New York time!
- judging starts immediately after the deadline
- show opens Monday, August 27th!
SoJie 18 – exhibition space and instructions
Use the special “Easy Button” linked in the intro to get image code to copy/paste into a comment.
There is the link, and an illustration in the intro on how to use the Easy Button, 1-2-3.
Congratulations!
Frannie
p.s. Below is your nominated image. You will see your nomination sticker in the comments. Click it, or the above link for instructions.
I took the shot with a Lensbaby Composer Pro (Double Glass)- slow shutter sp./ Night shot (about 8 seconds or so).
RAW/manual/Canon Rebel Xti
I love to bend the light. This image is almost SOOTC/straight out of the camera.
I did a slight level adjustment, but apart from that- it is.
It’s a prestigious nomination. I’m pleased. 🙂
Wretched Mess
Today has been one of the most wretched days of my life. I’ve had the worst migraine that I’ve ever had, and it has been a doosy. I started my day with a strong dose of cayenne and ginger (as usual) , followed by a small cup of medicinal tea. I was grossly nauseous, and so went back to bed. I tried to read some of my Bette Davis/Joan Crawford dual biography, but was too sick. The pain was mostly in the back of my head, exactly where my cyst is, and it was swelling- massive pressure was building up and as usual, it felt as if I’d been shot in the back of the head- but this is actually worse. When a person is shot in the head, more times than not, they die. If they don’t die, they’re rushed to the hospital and given large doses of morphine, stadol, demerol, or something of that nature so they’re not suffering. In my case, I have to sit it out. Minutes feel like hours. Words are too simple to describe this kind of ongoing pain.
I haven’t taken a phenergan in over a month, but I tried to take one half and be very still. Eventually though, my stomach revolted. My son asked, “Do you want me to bring you the trash can, mom?”
“No, I don’t want to throw up in front of everybody,” I said.
Two minutes later I ran to the bathroom and “worshipped the porcelain god” as the saying goes. Now if you’ve never thrown up a fairly large amount of cayenne pepper, you haven’t really lived yet. My whole head was on fire! My nasal passages felt as if somebody’d sprayed acid into them and I was crying tears that actually burned. (Not boo-hoo crying, but phsyiologically.) Also, the pain was exacerbated by the fact that I had a new surge of fiery adrenaline coursing through my body, particularly in my head.
I made it back to my bed and by God’s good mercy, was able to sleep. I woke up feeling like raw heck, drank a bit more of my medicinal tea (poppy seed tea, which actually works to kill the pain, if you can keep it down), and after five more hours of intense agony- ordered Chinese. (Might I recommend the moo shu beef? General Tso’s chicken is also a tasty dish, and crab rangoons make a great appeteizer. This is what I ordered, along with a coke and a few Pepsi’s.)
It is now 12:45 a.m. and the pain is still pretty intense (it’s moved around to my front right eye socket). Ibuprofin is a joke, but I took two anyway. It’s been three weeks since I’ve stopped taking my Lortab and Ambien. My liver was beginning to tell me that I couldn’t keep taking pills and remain “healthy”. Granted, I never exceeded 10 mg. at one time, which is the equivalent of 1 blue Lortab, (but seldom took even that much). This is part of the reason why I decided to become certified in Substance Abuse- I know far too many people who have been reduced to a mere statistic, having lost everything (including themselves) to drugs.
I’ve become passionate in my search for a homeopathic solution: pain management without having to take pharmaceutical chemicals. Poppy seed tea can be taken at small doses to combat severe pain, such as the pain from my arachnoid cyst, while still allowing me to function. Naturally, if you take a larger amount, you can get higher than a kite, but if I wanted to get high, I’d just smoke a joint. I like to be in control of my faculties though. This is part of the reason why I quit drinking liquor over five years ago. If I chose to not take anything at all, I’d be limited to “getting out of bed to pee” and that’s about it. I can’t live that way. So after much consideration and trial and error, I’m sticking with my cayenne, ginger, and med. tea, when necessary.
I do get more migraines this way (not taking pharmaceutical drugs) and some days it’s sheer agony, like today, but my liver feels 80% better.
Through it all, I’m able to say, “Thank you God for this pain. I still choose to praise you, and lift up Your Name.”
When I compare my pain, to the pain that Jesus had to endure, I shudder to think that I could even complain. I still have two eyes that see, and a heart that loves- two working hands, a family that I love and that loves me. I have much to be thankful for.
Much to be thankful for. 🙂
Pain in Rainbows pt. # 2
I decided to convert my collage (Pain in Rainbows) over into a digitally rendered fauvist styled painting on stone. I rather liked the way it came out. While I wasn’t planning on sharing my arachnoid cyst situation with all of Australia, I wanted to include my Aussie friends (all of whom are artists: sculptors, writers, and painters) as we’ve all been close for about six years now.
I feel pretty fortunate to have such a great group of friends. Many have solo exhibitions and are quite successful in the art world. And, a finer bunch of people I’ve never known.
The site I’m referring to is Redbubble. I’ve been there six years. Hmm…maybe seven.
Pain in Rainbows
I really don’t like pop art. Never cared for the Marylin coloured collage or the tomato soup cans (though I admit that I was thoroughly infatuated with the life of Warhol and have much respect for his talent). I decided to mingle the style of pop art with my love of B&W to examine and interpret my migraine pain. I suppose it could convey most any pain. After all, we all live with pain- whether emotional or physical- but none escape it. Like art, music, laughter, joy, and death- pain is a language that needs no interpreter.
I have recently found my Canon G3 battery charger. The camera is absolutely obslete on todays market, but I know that camera better than my own skin. I cut my teeth on that camera (manual exposure, shooting in monochrome, manipulating the lighting and shadows, and so on).
I think the problems many artists and photographers face today are due to the fact that the modern digital cameras are so “capable” that the user need only click one main button, “auto”, and the camera “does it all”. While it can mimic the accuracy to a degree, it cannot automatically shape and mold the light on a level that one can attain if he or she manually adjusts the settings. It’s like comparing a bologna sandwhich to foie gras. Or, Vienna Sausages to caviar. If a person doesn’t know how to shoot in manual, he or she may still be able to create an effective image, especially in Lightroom, GIMP (which is what I use), or Photoshop, but then it falls into digital artistry and not so much “photography”.
If you are curious to know what kind of a photographer you are, throw your DSLR (or P&S) in MANUAL, as well as MONOCHROME, and go out during the golden hour as well as high noon- then look at the stills. When you can take a batch of photos that aren’t blown out, hot- and bleeding here or there- you’re ready to move on to a more advanced camera.
There’s really no point in getting a fancy camera if you don’t know how to shoot in all manual! I can’t say this enough. And the truth is, about 80% of all of us photogs that have high end cameras are LAZY. (Notice I said “us”.) Very few actually shoot in manual mode, much less understand how to.
If I had a big rig, I’d be the laziest photog in the world.
Thank God for innovation and ghetto-rigging.
Is that Fed Ex?!
So I’m looking at my standard kit lens here. No, it’s not the 17-55 (or the 28 MM 1.8 or the 35 MM 1.4 -the list goes on) that I was wanting, but I am enrolled in five classes this semester and we peasants must take what we can get. The Ebay seller listed this as a new lens, but the Fed Ex package says that it’s refurbished. The plot thickens.
As for my classes, they are:
ALG II
ENG COMP II
WORLD CIV II
PSYCH
SPANISH I
My major is Behavioral Sciences + I’m working on my Substance Abuse certificate simultaneously. Last semster I took 21 credit hours; this month I’ve scaled it down to 16. Between that and my teens, I’m having to take photography where I can get it these days, but I’m contemplating pushing a bit harder throughout the week so I can save Saturdays for a photoshoot. (Or photowalk/city walk, etc.) I hope the doorbell rings 2 more times today…
…
Ringing in the New Year
I wandered around the streets of my hometown on New Year’s Eve in search of “subjects”. I wanted to shoot people but the place was like a ghost town! I’m so drawn to shadows and still life, I’m wondering how I will ever break out of this pattern if I want to venture into street photography. I don’t want to be a simple point-snd-shooter. Composition means everything to me, as do strong lines. I drove to Times Square once, in New York City, and shot street photography at night. My bags had been packed and waiting by the door to go to Texas (from Indiana). my Aunt had been sick and my daughter and I were on our way to see them. They cancelled at the last minute, and so we found ourselves with packed bags, $1,000 and no where to go. I told my daughter to pick a place, anywhere in the U.S. and that’s where we would go. She said, “What about New York?” And so, the next day, we found ourselves driving straight into the belly of the beast: Times Square. Here are some of my photos from that trip: (All photos are shot in manual + natural lighting/no flash.)
Times Square at night, New York, New york
Canon Rebel XSI Sigma 17-70
Modern Day Vintage w/ film grain- Canon Rebel XSI + Sigma 17-70
A mass of people simming in the city sea. W. 45th St.
Near Park Avenue, Manhattan, New York
Canon Rebel XSI Sigma 17-70
I had crawled up to this pigeon in the rain.
The guy was eating. I was watching him. The pigeon was watching me.
Then I was watching the pigeon.
Then the guy was watching me. Then he jumped out of the frame.
I smiled politely. Then I snapped away.
Hurley’s. Manhattan, New York and a little bit of GIMP.
Canon Rebel XSI/Sigma 17-70
Muesum of modern Art
New York, New York
A small crowd gathers to study Monet’s Water Lilies.
Canon Rebel XSI- Sigma 17-70
GIMP
Overlooking Broadway from the Crowne Plaza Times Square hotel. Nice place! Even if the eggs are $9.00.
Coffee for breakfast.

Hanging out on Broadway at Times Square. Everything sizzled with energy. The smell of hotdogs permeated everything and there really was steam coming out of the sewers. Just like in the movies. Horns honked. taxis were a streak of canary yellow and the rain drizzled lightly. It was another world. Swarms of people hustled about- headphones attached, eyes making no contact- disappearing into the night.
The beauty of motion blur/long exposure. One of my many passions in photography.
Broadway in classic “Old Hollywood” black and white.
I was almost laying in the street for this one. I like wide angle shots, and prefer verticals over horizontals. I’ve been shooting verticals for years- and my eye is trained for this type of composition. I feel so vulnerable regarding horizontal composition, in comparison. I’m hoping to practice up in that area over the next year.
As seen from my hotel window at night, overlooking Broadway. I was sitting on the executive office desk Indian style, lens pressed to the glass- full panoramic view. I could see the people in the buildings across from me working out at their office gyms, after hours. I wonder if they could see me.
I was fascinated that behind all of the glitz and glamour of Broadway, this is what it boils down to. The viewers arrived (on Broadway) around the corner in limousines, draped in diamonds, but the stars came in through this humble stage door, accompanied by the grimiest dumpster I had ever seen.
Museum of Modern Art
New York, New York
When I walked into the room, it was as if this guy had been waiting for me.
I immediately sunk to my knees and hunkered down to the floor as low as I could go, loweing the exposure so I could get a good silhouette.
I thought it called for a vintage texture (it’s actually about 7 textures combined) and lots and lots of GIMP. I titled the print “Therapy” and sold a matted canvas to a mystery buyer at Redbubble.com for $175.00.
That put a smile on my face.
Museum of Modern Art. I was in the hallway and saw this guy walking up the stairs. It called for a diagonal composition. (Makes me think of Escher, one of my favourite artsits, second to Van Gogh only.)
New York just wouldn’t be the same without its generous splash of fire escapes throughout the city.
But I digress.
Here are a few shots from my walk-around on New Years Eve. The shadows told me it was the right time to go out and shoot.
Film noir/B&W-shadows- it’s where I live.
The streets were completely abandoned on New Year’s Eve. I loved it.
My mother and I rung in the New Year alone in her apartment. She was tucked into her comfy chair and I read to her for an hour out of my book: Anthology of American Poets. (Poe, Dickenson, Longfellow, Frost, and about twelve others.) It was so old fashioned and simple. I took this shot of her two cats in the early afternoon on New Year’s Day. Both cats are black and white. So, this is a black and white shot in black and white of two black and white cats:
My mother’s lamp.
There’s almost nothing more beautiful to me than film grain with a dash of gaussian blur.
In black and white, of course. Heavy on the black.
Canon G3/natural lighting/manual exposure
…
Call a Fork a Fork
Most of my friends are artists, painters, and photographers who have solo exhibitions. Sometimes my artographer acquaintances will title their images with a super-long, melodramatic sequence of events (that should be written in volumes), such as:
Although the Winds Beckon Me to Run High Upon the Mountaintop Nevertheless I Will Walk Along this Broken Trail
(Yes, I just made that up.)
I say, call a fork a fork.
Natural window lighting/RAW/handheld/film grain/GIMP/Canon G3/study in lighting and shadows
***
Shooting in Black and White
I took this shot of my son earlier this evening. This is the look I want to achieve with my digital phtography: low-light film.
Exposure: 1/3 of a sec./ISO 100/F. 2.07/handheld/manual/RAW/Canon G3 (I snuck up on him while at the computer.)
When I walked by him, I saw the glow of light on his face (my mind saw it in black and white) and I knew I had to get it.

This was shot in black and white. I find that after shooting in black and white for a while, my eye becomes trained on shapes and lines, and where the light falls off and where it is introduced. I’m forced to see the many shades of blacks, whites, grays, and all of the beautiful tones within. The beauty of shooting in RAW is having it automatically converted into colour once it’s loaded in my editor. (I use GIMP.) So, I shoot in black and white, and the results are colour- but with far better lighting than if I had shot it in colour.
You can find GIMP here.
Gimp is 100% free, and it enables RAW editing with UFRAW.
If you want to install an EXIF reader (and I strongly recommend it), you can do so by going here.
…
2011: Rocking the Point and Shoot
This past year has been a hectic one. I sold my Canon Rebel XSI + Sigma 17-70 + 50 MM 1.8 + Canon EF 75-300 + Canon EF 18-55 for rent $ and bills when the recession hit. I was left only with my 4 MP Canon G3. I’ve been shooting with that thing for nine months straight now. (Yes, I have cried tears!) This forced me to become a more creative photographer and artist. I chose to shoot in only manual (RAW), adjusting my aperture and shutter speed (and ISO). Naturally, this is more work, but it bonds me to the creative process. We labour together, the camera and I. I want dynamic lighting and shadows and I want film grain. I want motion blur. I want to roll up my sleeves and get my hands dirty. I have no resolutions for 2012. I only have the desire to be a good mother, an inspiration to others where my work is concerned, and the courage to continue shooting in manual when my new camera arrives in a few weeks. (I have chosen the Canon Rebel Xti. I really don’t need more than 10 MP for my particular style.) Oh. And did I mention that I want to get into street photography? (I believe I’m tapped out in the “apartment photography” genre.)
I took these out in the field the other day. I found that black works well with long exposure photographs. 3 sec. exp’s./ISO100/ F.8
Chai (and my love of film grain)
My kitchen chair- 8 second exposure/handheld/Canon G3/abstract
A splash of colour: previous work
And some tree shots

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